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Entroducing…, DJ Shadow - One of the most solid debut albums in the past 20 years.Pretty Hate Machine was probably the better album, but I fell in like with this one first. The Downward Spiral, Nine Inch Nails - I still tell anyone who will listen that Closer is one of the best pop songs ever made.Siamese Dream, Smashing Pumpkins - College junior, couldn’t get laid…isn’t this what I was supposed to be listening to?.And Dre’s beats are among the best in the business. Dre - Introducing Snoop Doggy Dogg, probably my favorite rapper. I loved it immediately and have been a huge fan of electronica ever since. I had no idea people were making music like this, so fast, so joyous, so unlike anything that anyone I knew would enjoy listening to. For a kid who grew up in the country and went to college in a small Iowa city, hearing rave music for the first time was a complete revelation for me. Rave ‘Til Dawn, Various - This is the worst album on the list but may be the most influential in terms of my future listening habits.I’m sure the bands and songs that opened your mind to the possibilities of music and life were a lot better, but you can’t really choose how/why/when/where that happens. My freshman year in college, a guy on my floor got a nice stereo system for Christmas and when he threw on Smells Like Teen Spirit, that was it. And when you’re listening to music like that, it’s hard to get excited about music in general…I was pretty much apathetic about the whole thing. Nothing outside of Casey Kasem and his Top 40 countdown existed for me when I was a kid. Nevermind, Nirvana - As I’ve mentioned before, I was a late bloomer musically.In rough chronological order and briefly annotated:
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Since I’m not Spin and my musical opinion doesn’t carry any weight, I felt free to list what I like, influenced me, continue to find enjoyable, and will still listen to in the future instead of what’s actually good…whatever good means. Spin magazine’s recent list of the best albums from the last twenty years (as well as MSNBC’s alternate list) got me thinking about what my favorites list from that era might look like. This record raises a radical question: Does good music need to be good? Daft Punk engages the sound and the surface of music so lovingly that all seventy-five loony minutes of “Random Access Memories” feel fantastic, even when you are hearing music you might never seek out.
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The duo has become so good at making records that I replay parts of “Random Access Memories” repeatedly while simultaneously thinking it is some of the worst music I’ve ever heard. Cliches that a B-list teen-pop writer would discard? Bring it on. Soggy poetry and kid choirs? Yes, please. Noodly jazz fusion instrumentals? Absolutely. Only intermittently electronic in nature, and depending largely on live musicians, it is extremely ambitious, and as variable in quality as any popular album you will hear this year. I enjoyed and agree with much of Sasha Frere-Jones’ take on Daft Punk’s recent album, Random Access Memories.ĭaft Punk’s fourth studio album, “Random Access Memories,” is an attempt to make the kind of disco record that they sampled so heavily for “Discovery.” As such, it serves as a tribute to those who came before them and as a direct rebuke to much of what they’ve spawned.